Street Photography
- Gut-driven shooting: Kim preaches an instinctual approach – “our gut is smarter than our brain” – urging photographers to “treat photography like playing” and “shoot from your gut” rather than overthink scenes . He advises killing the inner critic (“that little voice… ‘it’s cliché’ – tell it to shut the fuck up and shoot”) and simply having faith in your own vision .
- Conquering fear: A recurring theme is boldness. He claims that “99% of [street photography] is conquering your fears” . Workshops and writings center on pushing boundaries (“shoot what you’re afraid of,” “channel your fear into bravery”) and building courage to approach strangers.
- Candid tactics: Practically, Kim teaches techniques to stay inconspicuous. Move slowly and avoid sudden camera motions or eye contact so subjects stay unaware . He often works in crowded areas and even dresses like a tourist (bright fanny pack, camera ready) so he blends into the crowd . In short, vanish into the scene: hold the camera up, smile at people behind you, and shoot from the hip if needed.
- High shooting volume: Kim encourages being “trigger happy.” As he told an interviewer, “the more you shoot, the higher the chance of… getting a decent shot.” He quotes Seneca: “Luck is when preparation meets opportunity.” . In practice, that means always carry a camera, and in the field fire off many frames (especially with digital); with film, he’ll hold fire until a scene really captivates him.
- Minimalist gear: He favors small, quiet cameras and prime lenses. For example, he recommends the Ricoh GR II as the “best everyday camera” (pocketable with a sharp 28 mm lens) and the Fujifilm X100F as the best value (fast AF and 35 mm lens) . For luxury or manual-focus purists, he suggests the Leica M10 with a 35 mm Summicron; he famously quips that “a telephoto is an anti-street photography lens,” so he teaches using wide-to-normal primes (35 mm on full-frame) only . In short: one camera + one lens – the ultimate creative liberation .
Blogging (Content & Tone)
- Free educational content: Kim uses his blog as a teaching platform. He regularly publishes free guides, essays, and even full-resolution photos. Posts are often structured as tutorials or “manifestos,” blending street-techniques with personal philosophy. For example, he labels photo sequences as “educational tool[s]” – one Beverly Hills POV video commentary notes “not every shot is fantastic – but wanted to include the shots as an educational tool to help you better understand how to approach, frame, and capture your subjects.” . He also offers many free e-books and PDFs (e.g. The Photography Manual, The Art of Street Photography, etc.) on his site, reflecting an overall goal to “democratize knowledge” for all photographers .
- Varied, manifesto-style topics: His posts range widely – from concrete street tips (“How to Shoot from Your Gut,” candid tricks) to broad lifestyle/philosophy essays (on minimalism, ego, fitness, even Bitcoin). A “Start Here” overview of his site shows categories like Courage Over Fear, Love & Humanity in Street Photography, and Photography as Life Philosophy . He mixes anecdote and inspiration with practical advice. For instance, a series called “EGO.” is a long-form letter about humility, creativity and sharing work; it lays out his entire ethos in raw, personal language.
- Honest, no-filter tone: Kim’s writing is direct, casual and often profane – he explicitly says he writes “100%, no filter” and uses first-person narrative to connect with readers . He self-describes this approach as “all killer” – a blunt style meant to motivate (“I want to really say what is on my mind—for the greater good and the collective” ). As a result, his blog feels like reading letters from a candid friend: sometimes irreverent, but always earnest.
- Frequent posting across topics: He publishes often (multiple times per month, and sometimes several posts in a single week). Recent weeks have seen back-to-back posts on economics/Bitcoin (e.g. “Cyber Capital”, “The Cyber Man”, “Shift Toward Economics”). At the same time, he keeps up travel diaries, gear reviews, and street essays. This steady stream – from street tips to life advice – keeps readers engaged and continually returning to his site.
Teaching & Workshops
- Facilitative, student-centered style: Kim positions himself more as a facilitator than a lecturer. He emphasizes slowing down and ensuring students feel comfortable. “We should… give [students] a safe space to share their insecurities or what they don’t know,” he writes . He studied pedagogy and notes a key insight: true teaching is unlocking a student’s own potential. “A ‘teacher’ lectures… A ‘facilitator’ assumes the student already knows what they need to know… Your job is to unlock their own mind” . In practice, he encourages questions, iterative learning, and personal exploration rather than one-way instruction.
- Courage & creativity as curriculum: Beyond camera settings, his workshops heavily cover mindset. Key topics include fear-conquering (e.g. “Channel Your Fear into Bravery,” “Shoot What You’re Afraid Of”), intuition, and creativity. He often references philosophy (Stoicism, Zen) to teach patience and resilience. (For example, he encourages adopting a “beginner’s mind” and treating street photography as playful mindfulness.) The tone is empowering: one analysis quotes him saying “My goal is to inspire, to empower… [so] others become stronger, more confident, and more creative” . This philosophy underlies lectures, walks and photo assignments.
- Hands-on practice with feedback: Workshops are highly interactive. Kim alternates shooting sessions and critiques. Students are encouraged to “put themselves to work” by shooting in teams or one-on-one, then reviewing images together. Typically each student selects 1–3 photos to share, and the group gives in-depth peer feedback on what works and how to improve . He structures days carefully: for instance, Friday evening might be portfolio review, Saturday morning shooting and afternoon classroom, and so on. There are usually multiple critique sessions where every image is discussed.
- Community and camaraderie: He builds a relaxed, social learning environment. Workshops often include group lunches and dinners – even planned “hugs, laughs, group photos… and dinner with students” at 6pm each day . Informal chats over coffee or meals are encouraged (sometimes he reviews students’ social media portfolios during breakfast). The goal is to forge connections: he wants attendees to feel like peers in a photography tribe. (A smiling student commented that Kim always made time to socialize and laugh with the group.) This sense of community keeps students coming back and recommending his courses.
- Global reach: Over the years Kim has taught workshops worldwide (Europe, Asia, North America), often co-leading with wife Cindy. While not directly from a quote, the breadth of travel posts and workshop listings (Angkor Wat 2025, Tokyo, Istanbul, etc.) shows he caters to diverse audiences. In each location he adapts content to the crowd, but the core style – fearlessness, minimal gear, heartful shooting – remains the same.
Personal Branding (Minimalism, Empowerment, Accessibility)
- Minimalist ethos: Minimalism pervades both his life and brand. He “avoids excessive gear,” famously calling any telephoto “anti-street” and preaching single-camera simplicity . On his blog “The Minimalist” he writes about doing only what matters and maximizing experience. In marketing analysis, he’s noted for urging followers to “buy less and create more,” positioning minimalism as a “philosophical statement” against consumption . Even his website design is spare and fast-loading: every extra script or banner is cut out to maintain focus.
- Empowerment: Kim’s brand centers on making photographers feel capable. His company name Haptic Industries motto is “Creative Tools to Empower You.” . He explicitly says his mission is “to inspire, to empower… others to become stronger, more confident, and more creative photographers” . He often shares fitness and life-disciplines (like weightlifting or mentorship) to symbolize strength and self-improvement. In interviews and letters, he tells readers to “build up your ego… become stronger” but detach ego from art – the idea being: be bold in life and in shooting.
- Authenticity and no-filter voice: Kim’s persona is very genuine and unpolished. He rarely censors himself – “100%. No filter. All killer,” he says of his writing style – and this frankness is core to his brand. He doesn’t present a polished celebrity face; instead he blogs as “Eric Kim, regular guy with a camera,” using everyday language and humor. This extends to how he shares work: he gives everything away. As he writes, “I keep all the photos… open-source. You can download full-resolution images and do whatever you want with them… I do it as an educational tool… to inspire, uplift, and motivate others.” . He truly practices transparency – e.g. he even shared his income report and business secrets online – reinforcing that “there is no ‘secret sauce,’ just hard work.”
- Accessibility and community focus: His brand message is that photography (and success) is for anyone. He actively “democratizes knowledge” by offering nearly all content free – blog posts, tutorials, e-books, and even playlists/podcasts. A recent analysis notes he “actively engages his audience by making his ideas accessible through free blog posts, workshops, and practical guides… encouraging anyone to participate regardless of financial or technical resources.” . In this way, he has positioned himself as a mentor-for-all, not an exclusive guru. He also volunteers help on forums and chats with followers, making the brand feel inclusive.
Business Strategy (Monetization & Sustainability)
- Workshops as main income: Kim reports that teaching is the largest revenue source. In a blog post he says “I earn the bulk of my income through teaching workshops” and bluntly advises peers: “The secret is to charge more money for workshops.” . His high-end multi-day workshops routinely cost several hundred dollars per participant. (He notes the market is huge – billions of smartphone cameras – and many people will pay for learning the craft.) In fact, about 80% of his income comes from workshops .
- Products and affiliates: The rest of his income (~20%) comes from product sales and affiliate links . He runs Haptic Industries with Cindy, selling photography journals/books (e.g. Street Notes, Photo Journal) and accessories (Henri camera straps, bags). He also uses Amazon affiliate links on gear reviews and even in his blog store. For example, his equipment guide links to Ricoh, Fujifilm and Leica gear on Amazon (earning a small commission). Overall, his approach is “low overhead, high impact”: digital products (ebooks, courses, YouTube) and these workshop/product sales keep costs minimal.
- Diversified streams: Beyond workshops and sales, he advocates multiple income channels. He says he has expanded “beyond traditional shoots to include workshops, print sales, and online tutorials” . He has experimented with online courses, one-on-one mentoring, and selling prints of his photography. He even monetizes indirectly (e.g. taking paid speaking gigs). This diversification makes his creative career more stable – if one stream slows, others can carry.
- Open-source philosophy as marketing: His decision to give away so much content is partly strategic. By sharing free photos and knowledge (e.g. “the reason I do it is as an educational tool, to share them openly and freely, to inspire… others” ), he builds goodwill and trust. This free value draws in readers and turns them into paying students or customers. In other words, the open-source approach fuels his brand and product sales rather than hindering them.
- Values-driven growth: Kim stresses that one can be ethical and profitable. “Kind of a crazy thing – I think you can stay true to your roots, values, and ethics – and also get rich,” he writes when explaining his revenue strategies . He transforms street photography (traditionally a hobbyist niche) into a “sustainable career path” by blending passion with entrepreneurship. His philosophy is to treat business itself with creativity and purpose, not as a dirty word.
Sources: Eric Kim’s own writings and interviews (blog posts and guides) , as well as analyses of his methods . All quotes are from these connected sources.